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DVD REVIEWS*****  
   
That Old Black Magic
Morningstar Entertainment/MVD
http://www.musicvideodistributors.com

That Old Black MagicIn the 1950s, CBC's Toronto studios were a safe haven for black performers seeking to promote their art away from the segregated United States. Black jazz, R&B and pop stars appeared in variety shows produced there. This DVD culls from high-quality kinescopes compiled as part of the studio's 50th anniversary. Thanks to the CBC Archives Department, we now get taken back to that golden era for a short narrated biography and performances from a playfully nimble Cab Calloway ("Minnie the Moocher"), Dinah Washington singing Bessie Smith murder ballad "Send Me to the 'Lectric Chair", smooth Billy Eckstine ("September Song") and opera star Marion Anderson. Also featured are Ella Fitzgerald and Della Reese. Sampled from variety shows are appearances by Sammy Davis, Jr. and Nat King Cole. The main star is Duke Ellington. We get five songs from Ellington as he opens and closes this excellent DVD. (4)
 
   
MAY 2003 REVIEWS >>>>>>>>>>  
       
    Maria de Alvear
Fuerzas
Christina Fong

This is the first recording of the extended viola piece composed by modern European composer Maria de Alvear. Performing the piece is Christina Fong; know for premier recordings of newer music. The piece is sixty-six minutes and rarely does she compose anything lasting less than an hour. De Alvear uses the single, brown-toned instrument to impressionistically deliver a potent monologue on strength, intensity, vigor and force that can all be used and is best used with art, skill, style and passion. (4.5)
 
       
    VärttinäVärttinä
Iki
Northside
http://www.noside.com

Led by a female trio of vocalists, this Finnish ensemble celebrates their 20th anniversary with Iki. "Iki" is the "primal, eternal breath" and this album celebrates that sacred respiration by focusing on songs full of intertwined melody lines and minimally supported by acoustic folk instrumentation. Some songs, like "The Blacksmith's Son", offer a deep, indulgent beat and jazz feel. The group continues to evolve over time and still features vocalist Mari Kaasinen. The album also features producer Janne Haavisto, known for previously successful collaboration with the large, Nordic folk ensemble in '90s albums such as Aitara and Kokko. (4)
 
       
   
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    Linda Draper
Patchwork
Linda Draper

Producer Kramer (Urge Overkill, Galaxie 500) opted for an understated, unadorned sound for the simple, basic songs of anti-folk singer-songwriter Linda Draper. This works very well for Linda, who has clear and uncluttered delivery that needs no extra help. Her quickly strummed but hardly stated chords snap along with a regular, locomotion rhythm. This percolating guitar work removes anything haunting from these sparse songs, making them instead brightly delivered, witty observations from a former church choir soloist. (4)
 
       
    The Cinch
The Cinch
Dirtnap Records
http://www.dirtnaprecs.com

This five-song CD EP is full of energy and punch. The female voices sharing vocals add diversity to the songs as the arrangements change. The bright, full-sounding indie rock of "Once a Week" precedes a song of spurned attraction that varies from indie pop to, once again, the full-throttle guitar approach. The two-guitar band provides four originals and a cover of Modern Lover's "She Cracked". Packing their sound full of distorted guitars to juxtapose against the bright, perky ladies singing, this group hails from Vancouver. (3.5)
 
       
   
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    Nineteen Forty-Five
I Saw a Bright Light
Daemon Records
http://www.daemonrecords.com

Hunter Manasco sings his lines like a husky folk-country singer-songwriter and sometimes he screams like an angry punk. Katharine McElroy weaves in her vocals that mollify the blend, the triple sec in this indie rock cocktail. The trio arrangement lends a rugged simplicity to the simplicity. This was also echoed in the recording on vintage equipment in the band's basement studio. Beside the noisy indie pop recalling The Pixies, some tracks like the melancholy "Someday I'll End It All" have a fragile, folk-like beauty that suggests the K Records sound and bands like The Microphones. (3.5)
 
       
   
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    Outsight brings to light non-mainstream music, film, books, art, ideas and opinions.

Published, somewhere, monthly since July 1991. Feel free to re-print this article.

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